1. |
MENTION
07:08
|
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2. |
RUIN EVERYTHING
08:40
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3. |
I DON'T UNDERSTAND
11:28
|
Comforting
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supported by 19 fans who also own “ENDGARDEN”
Beaucoup d'éléments incroyables dans ce I, mais ce sont deux aspects qui m'ont le plus marqué. La première, c'est la qualité sonore nette et assez lourde qui se rapproche presque de ce qu'on pourrait entendre dans du funeral doom ("in my dream" excepté, mais ça fait sens). La deuxième, c'est le chant puisque Damián est accompagné par Chloe Smith, et ce qu'elle fait... comment ça peut être aussi puissant ?? Ce qui m'amène à cette question : y a-t-il quelque chose que Damián ne sait *pas* faire ?!
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supported by 19 fans who also own “ENDGARDEN”
What might a band like Indian Summer or Native Nod sound like if they were thrashing around a 21st century basement? It could be something like this.
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supported by 19 fans who also own “ENDGARDEN”
Sad yet hopeful is what this album sounds like. Every sadness album sounds like that honestly. Like things might be shit right now but they can always get better if you’re willing to let them. Sadness has a way of making music that’s mega depressing but doesn’t add to your depression it seems to acknowledge it and reminds you of the things that make your life worth living. This album specifically does this perfectly and is probably my favorite sadness release. please let it get physical release
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NO ESPERANZA
by this is the part where you help me
This Jersey crew makes a ferocious mix of guttural grind and heavy hardcore punk, with lyrics aimed square at sociopolitical ills.
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ON040 - Monoceros
by Forcefed Horsehead
Forcefed Horsehead describe themselves as “grindpunk,” and their visceral mesh of extreme metal subgenres heads direct for the pit.
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Me and the Glassbirds
by Heejin Jang
The Doom Trip label never misses, and the latest LP from the genius Heejin Jang is a trip into thrilling industrial terror.
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